Leo Tolstoy’s Anna Karenina opens with the musing that “all happy families are alike; each unhappy family is unhappy in its own way.” In Here, Robert Zemeckis’ adaptation of Richard McGuire’s graphic novel, the statement flips: unhappy families are all alike, too. This is not to say each family in Here is wholly unhappy or … Continue reading ‘Here’ Is A Novel, But Wildly Uneven, Cinematic Experiment. [REVIEW]