If you don’t like Dutch angles, don’t watch A Haunting In Venice. Kenneth Branagh, the man known for his proclivity for that specific, audience-anxiety-inducing camera angle, is back for his third Hercule Poirot film. This time, it’s based on the Agatha Christie novel Hallowe’en Party. It’s a direct sequel to Death on the Nile, but … Continue reading A Haunting In Venice – Poirot’s Most Human Experience [Review]